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Dairy Barn in Athens, Ohio
View several of the Quilts exhibited at Quilt National
Quilt National opened its 13th biennial quilt exhibit at the Dairy Barn
Cultural Arts Center in Athens, Ohio on May 24, 2003. The show will run
through September 1, 2003 and is considered one of the premier art quilt
exhibits held in the United States. During the run of the exhibit, people will
travel from all over the world to this small college community in southeast
Ohio to see these quilts. Parts of the show will then travel throughout
2004 to various venues.
Opening night was a celebration and awards ceremony and
66 of the 86 artists attended from such diverse locations as Japan, Australia and
Switzerland. Suzanne MacGuiness (
"Lullaby For Luke")
drove 2347 miles from San
Diego for this her first acceptance into Quilt National. This was her first
finished quilt and first machine quilting. She started quilting three years ago,
and has a degree in photography. Some were combining their trip to Athens with a
vacation in the United States, and all interviewed were thrilled to have been
chosen for this prestigious show. Most of the artists in the show sell their
work and consider themselves working artists. Studio Art Quilt Associates (SAQA),
a professional development organization, met this year in Athens, and many of the
members attended the opening ceremony. A good number of the quilts in the show came
from their membership, and they are also one of the sponsors of the exhibit.
The Dairy Barn is a cultural arts center, which came from the restoration of
an old working dairy. The building was to be torn down, when a local Athens
group rescued and restored it for use as an arts center. At the same time,
pioneer art quilter Nancy Crow, who lived in Athens, proposed an exhibit of
art quilts and Quilt National was born. As interest in quilts as art has
grown, so too has interest in this show held only in odd numbered years.
Naturally, space is limited, and this year there were more than 1400 entries,
which were juried down to the 86 quilts shown. Lark books has published the
catalogue of the show, which is an exquisite hard cover photography book, but
seeing them in place at the Dairy Barn is the best way to appreciate these works
of art.
The rules state that these works must be quilts. They must be made
predominately of fabric or fabric-like material, must have at least two
full and distinct layers, and be held together by quilting stitches or other
elements that pierce all layers which are distributed throughout the surface.
From this starting point, the artist is free to use whatever media expresses
their artistic vision best. John Lefelhocz
("Match Schticks") made a Double
Wedding inspired quilt with matches, fiber, and printed images of corsets.
A match made in heaven, or a volatile relationship? John became a quilter after
seeing the show several times. He is a local Athens artist and has since been
juried into three Quilt Nationals. Besides Johns' use of matches and glue, dyeing,
monoprinting, photocopy, paint, leaf hammering and shibori were just some of
the many other techniques used by the artists. Fabrics ranged from Mylar to silk,
but with cotton still the predominant choice.
Not surprisingly, an art background is part of most
of the quilters' biography. Kristin Tweed
("#9 Big Head Series") has a Masters in
design and is a self-taught quilter. Her quilts are paintings on white bed sheets
that she buys at estate sales, in order to get the old high quality thread count
and 100% cotton. She uses the quilting stitch as an outline drawing and follows
by painting the portrait. Lori Lupe Pelish
("Injuries") was a printmaker for 13
years. When she became a quilter, she used fabric like paint. Her impressionistic
quilt is truly like a painting, with small pieces of fabric used as a palette to
create the portrait of two boys. She does not fuse these small pieces but pins ("A lot of
pins") and outline sews each raw edge before putting it together to machine
quilt. She is an amazing person with a BA Degree in Fine Arts. Carol Owen
("Wildflowers") is a mixed media artist working in wood and textiles, who began
her quilt life as a traditional quilter. Her main interest is dimension, and
fittingly, her quilt has dimensional elements and hand painted backgrounds.
Some of the quilters come from fields seemingly
unrelated to quilting, but have used that background to inform and inspire their
work. Connie Scheele
("Early Autumn") used the same technique she uses at work
to make slides of blood to monoprint her trees for her quilt. She uses two pieces
of Plexiglas and paint. Florida A & M college professor, Valerie Goodwin
("Riverside Settlement") is an architect and college professor whose quilt
looks like an aerial photo of architecture. Bean Gilsdorf
("Quija #1") has a
Masters Degree in Linguistics, and she describes her quilts as seeking to communicate
a personal statement. Since she began quilting 5 years ago, she says she feels
more centered. Bean won the emerging artist award.
Several of the entrants have been in Quilt National
numerous times. Jan Myers-Newbury
("Cat's Game") has been in 11 of the
13 shows. Elizabeth Busch
("Abundance") has been in 5, and was a juror one year.
She also won Best in Show in 1989. Others, such as Connie Scheele, John Lefelhocz,
and Juror, Liz Axford ("Life Lines 1") have shown multiple times.
The inspiration for art quilts is a very personal
interaction between the artist and the art. Outside events such as 9-11 are a source of
contemplation and can influence the work. Martha Warshaw
("Cope: Scattering") used
the colors of "ash and dust" to make her quilt, She fashioned it after a religious
vestment she saw at the Victoria and Albert Museum. Juror, Wendy Huhn ("Silent Killer")
explained her own illness and used her quilt to educate the public about the disease.
A trip to Ohio this summer to see these fantastic quilts
could be your best vacation ever. Remember the show is only in odd number years
so it will be 2005 before another chance comes.
©2003 Alice Kish
www.thequiltercommunity.com
Awards
The jurors (Liz Axford, Wendy Huhn, and Robert Shaw granted the following awards for Quilt National '03:
$ 1,500 - Best of Show - sponsored by Bernina USA: Nancy Erickson
Trip to Japan - Quilts Japan Prize: Elizabeth Busch
$ 1,200 - Award of Excellence: Ludmilla Uspenskaya
$ 850 - Most Innovative Use of the Medium - sponsored by Friends of Fiber Art International: Michael James
$ 350 - Lynn Goodwin Borgman Award for Surface Design: Clare Plug
$ 250 - Domini McCarthy Award: Nelda Warkentin
$ 250 - Cathy Rasmussen Emerging Artist Prize - sponsored by Studio Art Quilt Associates: Bean Gilsdorf
Ballots cast by visitors to the show determine the recipient of the following award:
$100 - People's Choice Award
www.QuiltNational.com
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